Belljar Honey

by angeliska on June 8, 2011

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(Photograph courtesy Jérôme Mondière)
✸ Battle of the Frogs from the collection of Louis Mantin. His majestic late 19th-century French mansion was shuttered
for more than a century, but opened its doors to the public in February, to reveal “an array of outdated luxuries and oddities”.

Agent Ribbons – “That’s Not Edgar’s Heart” from Ryan McCoy on Vimeo.

✸ My friend Natalie has an amazing band called Agent Ribbons, and the music they make is very wonderful indeed.
I am completely thunderstruck by the beauty of their new video: “In keeping with the band’s minimalist indie spirit,
“Edgar” is an elegant video with a Mobius strip-like construction the viewer will discover as the narrative progresses.”

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Ruysch festooned infant skeletons with various objects, organic and non-organic, and arranged them in landscapes of body parts.
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Ruysch’s “repository of curiosities” included displays of infant and fetal
skeletons, placed in landscapes of human and animal body parts.
This ghastly musicale is notable for its morbid whimsy.

I recently stumbled across the strange and wonderful world of Frederik Ruysch, via a link from a terrific resource: Dream Anatomy
These images, funnily enough, led me to the writing repository (The Laughing Bone) of an old friend, Scott Casey (aka. Bonesy Jones),
who I met back in the days of FringeWare. He wrote this great piece:
Frederik Ruysch: Vene, vidi et judica nil tuis oculis
No surprise then, that I was also led to this article:
Frederik Ruysch (1638-1731): Anatomical Artist, Museologist, Morbid Anatomy Patron Saint
from my favorite source for anatomical inspiration, Morbid Anatomy
A virtual new museum dedicated to his works has recently been set up,
and hopefully will soon be translated into English: Frederik Ruysch – Virtual Museum
“Ruysch made about a dozen tableaux, constructed of human fetal skeletons with backgrounds of other body parts,
on allegorical themes of death and the transiency of life…Ruysch built the ‘geological’ landscapes of these tableaux from
gallstones and kidneystones, and ‘botanical’ backgrounds from injected and hardened major veins and arteries for “trees,”
and more ramified tissue of lungs and smaller vessels for ‘bushes’ and ‘grass.’
The fetal skeletons, several per tableau, were ornamented with symbols of death and short life–hands may hold mayflies
(which live but a day in their adult state); skulls bemoan their fate by weeping into ‘handkerchiefs’ made of elegantly injected
mesentery or brain meninges; ‘snakes’ and ‘worms,’ symbols of corruption made of intestine, wind around pelvis and rib cage.
Quotations and moral exhortations, emphasizing the brevity of life and the vanity of earthly riches, festooned the compositions.
One fetal skeleton holding a string of pearls in its hand proclaims, ‘Why should I long for the things of this world?’
Another, playing a violin with a bow made of a dried artery, sings, ‘Ah fate, ah bitter fate.'”

– Steven Jay Gould – Finders, Keepers: Eight Collectors
✸ A Miniature Fascination – The Paris Review – The dollhouses of Huguette Clark
“…Miniaturists—the people, the hobby, the history—deserve more than to be dismissed as an easy metaphor.
It’s a fascinating world that continues to capture people—whether they admit to it or not. Wrote one confidante of Clark in later life,
‘She just wanted to be home and play with her dolls.‘”
I can relate.

My newfound friend Mr. Tom Negovan is launching a Kickstarter mission to create
the first cylinder record/all analog recording made since 1924.
He’s 19 days away, and just a tad short of making his goal – if you are a fan of archaic recording technology
and unusually beautiful music, please consider taking a moment to check out his amazing project.
✸ Mr. Sean Lee has been charming and entertaining me with his marvelous new bit of fancy bloggery over at Leaf & Arrow
His latest article about D.S. & Durga is making me exceedingly hungry for new scents…
There’s a few I think I’ll need to try out from them! Siberian Snow! Orris Root! Cowboy Grass!
✸ I’ve fallen hard for Sophie Ward’s brain: Paper Castle Press
✸ Punchdrunk – “Sleep No More”
“If New York’s junk shops, antiques fairs and confectioners have fielded some odd requests
recently, it may be because the British theater company Punchdrunk is coming to town for the first time.
The props list for its show “Sleep No More,” an environmental, stylized mash-up of Shakespearean drama
and Hitchcockian noir, reads like the contents of a madman’s shopping cart: plastic teeth, animal eyes,
hair samples, several kinds of blood, caramel spray.”

I so, so, so wish I had gotten to see this. Anybody in New York get to experience it while it was up?
✸ A Wayfarer’s Cabinet of Curiosities
Rima Staines and her ever-enchanting Into The Hermitage
So much loveliness!

Basil Rathbone as Sherlock Holmes set to the song ‘Sherlock Holmes’ by Sparks.
This has been my dancing around in my underwear with a hairbrush microphone theme song lately,
thanks to Lau, who got me hooked on this amazing mix: Take Me Away – Mixed by The Cosmic Orphan
She says it best: “It is really a stunning, perfect mix, and very very recommended listening.”
For real. Go get it. In fact, I’m listening to it again right now!
Fog matters to you and me, but it can’t touch Sherlock Holmes
Dogs bark and he knows their breed
And knows where they went last night
Knows their masters too
Oh baby, hold me tight

More wonderful photos from From Joanna Ebenstein’s “Private Cabinets” Photo Series, Volume 1:
From the Collection of Erik Sanko & Jessica Grindstaff, Phantom Limb Co., New York City
From the Collection of Erik Sanko & Jessica Grindstaff, Phantom Limb Co., New York City
From the Collection of Steve Erenberg ("Radio Guy"), Art Director and Dealer, New York
From the Collection of Steve Erenberg ("Radio Guy"), Art Director and Dealer, New York
✸ The Cave of Forgotten Dreams – If you haven’t had the opportunity yet to see Werner Herzog’s
new 3D documentary about the marvelous paintings of Chauvet Cave, I really cannot recommend it enough.

Cave of Forgotten Dreams from Nate Calloway on Vimeo.

“There’s a cave in France where no humans have been in 26,000 years. The walls are full of fantastic, perfectly-preserved paintings of animals, ending in a chamber full of monsters 1312-feet underground, where CO2 and radon gas concentrations provoke hallucinations.
It’s called the the Chauvet-Pont-d’Arc Cave, a really weird and mysterious place. The walls contain hundreds of animals—like the typical Paleolithic horses and bisons—but some of them are not supposed to be there, like lions, panthers, rhinos and hyenas. A few are not even supposed to exist, like weird butterflyish animals or chimerical figures half bison half woman. These may be linked to the hallucinations. The trip is such that some archeologists think that it had a ritual nature, with people transcending into a new state as they descended into the final room.”

Hermanas mumias
Time to make a roadtrip up to Dallas – I absolutely must see this exhibit:
“The Accidental Mummies of Guanajuato”
I’ve wanted to go visit them for years, but now I really have no excuse…
✸ ATLAS SHRIEKED: Ayn Rand’s First Love and Mentor Was A Sadistic Serial Killer Who Dismembered Little Girls
– Just sayin’. An important read. Pass it on to anyone you know who lists Atlas Shrugged as their favorite book.
Oh and – “Ayn Rand Assholism” as Institution/Ideology
another gem on the subject from Coilhouse
✸ Santeria, Vodou, and the Media from The Wild Hunt
✸ Queen of the Sun – I also really want to see this documentary about bees.
✸ Mr. Quintron has great taste in music, and he writes funny and true things about 9 record he loves
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This baby tiger having a bath is showing a good example of my current facial expression.
Okay, well – not exactly. Internally, though – yes. I feel like I want to bite on some faces!
Irate baby tiger is my animal totem right now. Small, and apparently cuddly, but mighty fierce.

Queerbomb 2011!

by angeliska on June 2, 2011

QB front

Our annual Queerbomb rally, procession and party is tomorrow, and I’m just taking a minute to reflect with amazement at this beautiful phenomenon that I’ve had the honor of being a part of for the second year running now. To be surrounded by such a vibrant and loving community of queers and allies working hard to create our vision – a vision of PRIDE that for has given me such a profound sense of belonging and acceptance. It’s something I think about a lot, especially since moving back to Austin from New Orleans in 2005. I feel like it’s changed a lot since Katrina, but I can say that when I lived there, New Orleans was definitely a gay mecca, but it was not a queer town. Especially for ladies, and lady-lovers: I mean, you know it’s bad when the only lesbian bar (Rubyfruit Jungle!) has to have a ladies’ night, right? Whew! The gay bars are fun and fabulous, but they’re very clearly demarcated as being for men, queens, and the occasional token fag-hag. I never felt welcome in the same way I felt back in Texas – and partially that might be an Austin thing: the sense of strength in numbers, of a jumble of oddballs who stick together because there’s nowhere else to be. For a lot of people who grew up in this Texan oasis, that mish-mash of freaks was just how it was: the gay kids, fledgeling queens and baby-dykes were all tossed in with the other weirdo punks,goths, skaters, heshers and hippie-wannabes. We didn’t differentiate so much, and all hung out at the same crappy clubs despite our tastes in music or dress – and didn’t pay much attention to the genders of who was making out with who. Maybe that spoiled me, in a lot of ways – I still am baffled by “scenes” and people who won’t break their invisible boundaries to check out something outside of their ken or comfort zone. I’m by nature an all-inclusive person – I want everybody to be together, because it’s a hell of a lot more interesting that way. I’ve never felt comfortable being forced to explain my sexuality (well, who is?), especially as someone who loves women, men (and especially everything in-between!). The word “bisexual” has become anathema these days. It seems to have become a synonym for “wishy-washy“, “can’t commit“, “afraid to come out all the way” or “I only do it with girls when my boyfriend’s out of town“. It’s the kind of word that really means something good, but when you hear someone describe themselves using it – you just can’t help but cringe. It’s like calling yourself a poet. Instant cringe. Isn’t that sad? I love poetry, but when someone describes themselves as a poet, I just picture a self-aggrandizing ass-hat who likes to stand up on stage blathering about The Man in a ruffly white blouse. I read poetry (privately!), but if I enter a coffee-shop or bar where there’s a poetry slam, I’m outta there like lightning. I mean, I actually AM a uh, bisexual poet, you know… But I would never admit it in polite company.
So, when I discovered the word queer, and actually looked it up, and realized that it described me – well, let’s just say that it was quite a revelation. The even bigger revelation came when I found myself part of the beautiful queer community here in Austin. To feel so welcomed and appreciated, and to never have my right to be included questioned – despite the fact that my partner happens to be a man – well, I can’t even explain how special that is. No one has ever approached me with a gaydar device to monitor the full extent of my gayness.No one has ever treated me like a second-tier queer because I like dudes as well as ladies – and that’s super-refreshing. I felt shame for a long time about not fitting in anywhere. Deep, deep shame for such long time at not being straight, or gay, or feminine enough, or tom-boyish enough.
Finally, finally – I don’t feel that anymore. I’m actually crying as I’m writing this, because I don’t think I’ve ever really tried to express, even to myself, how difficult this has been. For my entire life, I’ve felt like an outcast – a deviant. I never had a label to cling to for comfort, or at least one that I felt comfortable with. Queer has been the only word that’s ever resonated – and Queerbomb has made it ring loud and clear. The fact that all those letters have a place here: the L for lesbian, G for gay, B for (yes, cringe!) bisexual, T for transgender, Q for queer, I for intersex, and so importantly – A for allies! – well, it’s something incredibly special. I’m willing to bet you fit in there somewhere!
I know I do, at last – and for that, I am profoundly grateful.
I also really want to share this letter from my fellow Queerbomb comrade and new hero, Melissa Smith. She graciously permitted me to re-post it here so you all could read it. Her story moved me so much, and combined with the fact that I know that she has been working her ass off for months to make Queerbomb a reality (literally getting her hands dirty and making shit happen!) makes it even more special. Please read:
“Fellow Queerbombers and new friends,
I sat at my desk this morning reading the Chronicle article and found myself choked up, streaming very happy tears. I had to dig deep to identify the emotions I was feeling, as there was a deja vu feeling I couldn’t quite place.
I sat for a minute and recalled coming out in a very small town at 15. It’s an old memory that I don’t think about too often, but I gave it a moment today. I wanted to know where this feeling was emanating from. My teenage life was pretty awful as I am sure many, if not all of you, experienced as well. My life was threatened, my parents were harassed, my younger sibling was beaten up for my lifestyle, and I was publicly banned from coaching freshman basketball because of my homosexuality and so forth. I’m sure we all have our stories. But I remember finding a subculture at a young age.
I hopped on a train to Boston in 1996 and found my way to my first queercore/riotgrrl show and my world changed entirely. I had this tingly feeling, and this overwhelming sense that things would be ok; there were people out there just like me, who supported me. And they were so out! I remember that sensation so clearly; my eyes welled up a bit on the train ride home to Cape Cod and that little town that kept me shy and terrified. I felt like a shell of a person there; completely afraid to be myself, and embarrassed at the sound of my own voice. This newfound community was everything. It gave me hope and it saved my life. It took me in and made me feel whole. I was proud of being gay; but even more so, was proud to be myself. I made it out of that town as fast as I could and spent my time in Boston making zines with friends, going to queercore shows all over the east coast. I found out who I was outside of the place I was raised. I found out I could be who I wanted to be, not what they said I was.
It was a pivotal and precious moment in my life.
Today, sitting here in my office, I type this to say thank you. It’s been so long since I had that feeling of pride. As I grew up I took off the creepers and the black fingernail polish and my Heavens to Betsy records are collecting dust. Life, my job, my disdain for current Pride celebrations and the portrayal of gays in popular culture had taken over. That proud kid had gotten lost again. The term is bounced around so often I forgot what it meant.
Being involved with such a dynamic, talented, friendly and caring group of queers and allies has been completely amazing. I am so very proud of the blisters on my hands this morning, and what our crew accomplished and will accomplish in the next 48 hours. And I am so utterly and completely overwhelmed with emotion and love for everyone who spoke for us in that article. You spoke from the heart and said everything that needed to be said. You brought me back to a time where I felt a fire inside me; that we do not have to assimilate to gain acceptance. That a group of people can get together and make a change by supporting and caring for one another without turning a profit or alienating people by class, race, gender, or any of the shit that has divided us in the past. That we can offer something radical to a teen from a small town coming in to experience PRIDE. The term is for everyone. It no longer represents a corporation. It’s a feeling and it’s survival. We are helping foster an environment that can shape and save lives of those young(and old) queers who need community.
Thank you for this opportunity. I feel like I’m 15 again, standing in a crowd of amazing people, as the show is about to begin.”

If you’re in Austin, please join us – it’s going to be incredible.
More info over at www.queerbomb.org
Here’s my Queerbomb writings and photos from last year:
QUEERBOMB
QUEERBOMB MAGIC 2010
Also, here’s the great articles from the Austin Chronicle, as well as a wonderful piece from Coilhouse that’s definitely required reading:
QueerBomb/Pride Roundtable: Extended Remix
QueerBomb Weekend
Fear of an Androgynous Model: Andrej Pejic Brings Out the Hyenas

Exquisite Corpse – Cinco de Mayo

by angeliska on June 1, 2011

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For this month’s Exquisite Corpse, we will be dedicating the evening’s festivities
as a special memorial to some of our friends and heroes who have died this month:
Ramon, crazy-cat extraordinaire, Leonora Carrington – the surrealist sorceress,
and to Nefairia Devi, Bharatanatyam dancer and true gothic beauty. Bring something
to add to the altar for them if you wish, and come prepared to dance and celebrate their spirits.
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Ramon and I. This is one of my favorite pictures of us together. He was very protective of all the ladies
of Swan Dive – acting almost like a dad (albeit a crazed, over-protective one!) A few weeks before he
died he told Amelia, “Ain’t nobody gonna be messin’ with you – they would rather be walking through hell
wearin’ gasoline drawers!”
He was so great. We had a beautiful Second Line Jazz Funeral for him the other
night, and following the procession of friends playing “Just a Closer Walk With Thee”, something just broke in
me. The wall of weariness crumbled, and the numbness that has reigned in the face of losing so many amazing
people was replaced by waves of grief. Tears flowed down my face as we marched in a crowd packed with
people who knew and loved Ramon. It was the music, and being surrounded by such a beautiful community of
friends who would gather together to celebrate the life and mourn the death of one of our own. Ramon was
basically homeless, a veteran whose health (both physical, emotional and mental) had been severely
damaged by what he went through in the war, and in his difficult life – and he carried demons with him,
no doubt. Despite all that, his huge heart won out – he was a loving person, a good man. It’s just not going
to be the same without him. Lots of the fellas who work at the bar have gotten tattoos of his main motto:
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Truth. One that I’ve been thinking about a lot lately.
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Amanda Stone and Marshall LaCount (of the Mudlark Puppeteers and Dark Dark Dark, respectively.)
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Beautiful Norah
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Devi cracks the snake!
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Laurel and I worshipping the gilded skull.
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Monika Hakkinnen
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Monika + Colin
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Stunning visitors from Germany. They wandered into the party and were much delighted.
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Amelia was so beautiful that night that I was inspired to say some downright naughty things to her!
Luckily, she’s a tough dame who can handle my dirty talk. Must’ve been that vicious absinthe/tequila combo…
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In honor of Cinco de Mayo, Naomi Elliott performed an incredible Aztec dance ritual that involved a watermelon being disemboweled! So beautiful.
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Les Surrealistes
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Nefairia Devi (Elizabeth Emily Mincho)– December 7, 1976 – May 14, 2011
Photo by Solvej Jordahl
Flowers from Nefairia
Strangely, I never actually had the chance to meet this amazing woman, though we came from the same town,
and had many friends in common. She left for London when I was still a blooming wee gothlet, and somehow
our paths just never crossed, even though she had moved back this way for a few months before her untimely
passing. When I lived in New Orleans, she started sending me sweet parcels: gifts of books and music, and
even this incredible heart-shaped floral arrangement, accompanied by an actual honest-to-goodness telegram!
Both were delivered to Sideshow, where I was working at the time – and I remember my boss teasing me mercilessly
about my admirer. Nefairia was like that: someone who would shower affection on you, just because she could.
I love how the card on the flowers reads “Angel M. Gorgeous” – what a sweetheart! It’s truly bizarre that’s she’s
gone – just like that. A freak car accident resulting in a severe brain injury, and in a flash the world has lost one
of its shining lights. It makes no sense to me. I hope her journey across the river is easy, and am lighting candles for her
and sending love to her family and friends. Nefairia, I wish we’d been able to meet in this life. Perhaps in the next.
We also lost Leonora Carrington – (6 April 1917 – 25 May 2011) last week.
Oh death! I wrote a piece about her life and work for Coilhouse.

LEONORA CARRINGTON by Pamela Robertson-Pearce from Neil Astley on Vimeo.

This video is an excerpt from the film GIFTED BEAUTY – directed by Anne Kjersti Bjørn,
with music by Maia Urstad and animations by Gustav Kvall. (Ragg Film, 2000)

New York Is Killing Me (Chris Cunningham Remix)
Damn, and Gil Scott-Heron too? The afterlife is being populated with poet angels
wearing tarnished silver halos. The beating of their flaming wings is deafening.

Sweet Violets

by angeliska on May 25, 2011

Earlier this month, we took a journey up North, where it is still spring.
Little green fiddleheads are just starting to poke their drowsy heads up
from the dark earth. The air was sharp and green, the black branches
of all the stonefruit trees heavy with bright blossoms. Here in the South,
it is mostly already summer – our gardens suffer, stunted without rain.
It was good to have a bit of respite: an unnatural rewinding of the the
season’s skein so that we could have that little taste of spring back under
our tongues: it tastes like moss and makes my heart beat faster. Feel it?
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Everywhere, wood violets congregate prettily, in purple and white flounces,
casting their winking National Velvet gazes dirt-ward, mischievous smiles
playing at the prim corners of their tiny petal faces. They look like my sister.
I saw a pair of little fox kits in the woods, and they looked like us when we
were small, and red-headed. They wore black stockings and curious faces.
I had never seen such a thing, and it moved me beyond words. Kindred.
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You are brief and frail and blue-
Little sisters, I am, too.
You are Heaven’s masterpieces-
Little loves, the likeness ceases.

– Dorothy Parker
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We stayed in a marvelous wooden lodge on Stone Lake,
and caroused with family, and drank lots of champagne.
Parties of morel-hunters combed the woods, and brought
back a bounty to be fried up. Fresh asparagus, artichokes,
and strawberry-rhubarb pie. Butter on black bread as dark
as turned earth. This is the way we were born to eat – like
wise peasants who know where to find all the best mushrooms.
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I know a bank whereon the wild thyme blows
Where oxlips and the nodding violet grows
Quite over-canopied with luscious woodbine,
With sweet musk-roses, and with eglantine:
There sleeps Titania some time of the night,
Lull’d in these flowers with dances and delight:
And there the snake throws her enamell’d skin,
Weed wide enough to wrap a fairy in.

– William Shakespeare
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Who hath despised the day of small things?
As violets so be I recluse and sweet,
Cheerful as daisies unaccounted rare,
Still sunward-gazing from a lowly seat,
Still sweetening wintry air.
While half-awakened Spring lags incomplete,
While lofty forest trees tower bleak and bare,
Daisies and violets own remotest heat
And bloom and make them fair.

– Christina Rosetti
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This little town once made these majestic woodstoves – modern hearths,
designed to sustain a family throughout a long and bitter Michigan winter.
The factory that made this vessel of iron made to hold fire, so carefully ornate,
is now a buckled ruin.
A fascinating, haunted place near the train-station,
where I found this beauty. The train rushed by so fast it stopped my heart.
It only stops here twice a day now, though the station is the handsomest
I have ever seen. I envy the woman who works there, in her immaculately
preserved office with elegant bay windows, old wood, tea and the radio on.
I could hear in her voice a deep contentment with her work. She is framed
behind glass at all times, sacrosanct. Her face is dark and gentle. Kind.
Jack + betty
The reason for our journey was to celebrate Colin’s grandfather’s 88th birthday.
Jack + Betty, in love for all these years, the two trees which have borne so much
fruit. We watched old home movies of them, standing in fields, gathered at the
old homestead, kissing deeply when they thought no one was watching, laughing,
flickering there – young and large as life for an instant, and then gone. Play it again.
At the big family dinner (which was a mostly hilarious disaster of epic proportions),
I was coaxed into singing Sweet Violets in front of the massive Biek clan, which I did.
Not well, without considering the complicated lyrics, and without the benefit of any
liquid courage to bolster me, but nonetheless I sang, hands shaking – with Marge
and Paul backing me up on Casio keyboards
. I would do anything for Betty, my
beloved soon-to-be grandmother in-law. It made her so happy, she even got up
and sang it with me. It is our song, after all… Have you ever heard it? It’s catchy!


Sweet Violets
Sweeter than the roses
Covered all over from head to toe
Covered all over with sweet violets

Flammarion's Firmament

by angeliska on May 18, 2011

So, I’ve been meaning to write about this for a little while, and as tonight is particularly celestially
auspicious, I might as well. When I was a child, from the age of perhaps 2 until I was 7, I had this image –
The Flammarion engraving, blown up as a poster, and tacked to the wall that my little bed was pushed up
against. I would gaze at it every night when I fell asleep, often with my nose pressed up to the little houses
in the village, imagining the lives of the tiny, engraved people within. I wondered at the flaming wheels, the
whirling stars, and about the man who was brave enough to stick his head through a hole in the sky.
This is definitely one of the things that made me weird, and I am grateful to my parents for that. My
mama decorated my childhood bedroom. She painted the walls a deep periwinkle, which – no surprise –
is still a most calming and favorite shade for me. The curtains were a sheer white with little swiss dots,
and she hung old chandelier crystals in the windows, so at that magic hour in late afternoon, bright sun
would pour in, and I could chase the rainbows as they flitted this way and that. My furniture was white,
vintage, princess style – I still have it, and use it to this day. Another poster, of a circus family from the 1900s,
hung over my head. When I couldn’t sleep, I would sit up and trace their death-defying tumbles through the air.
I’ve been thinking a lot about how what we see as children, what we’re exposed to creates who we become.
So many offhand moments that I doubt my parents would even remember loom large in my memory. Images,
music, movies – (I’ll write more about those soon) so many of the things I saw at that age became intrinsic to me,
to my personal cosmology. This first image, though – it still holds such wonder and pleasure for me. I’d love to have
a giant print of it again. My poster was probably purchased at some headshop, and thrown out after my mother died.
Flammarion
“The Flammarion engraving is a wood engraving by an unknown artist, so named because its first documented appearance
is in Camille Flammarion’s 1888 book L’atmosphère: météorologie populaire (“The Atmosphere: Popular Meteorology”).
The engraving has often, but erroneously, been referred to as a woodcut. It has been used to represent a supposedly
medieval cosmology, including a flat earth bounded by a solid and opaque sky, or firmament.”

The caption that accompanies the engraving in Flammarion’s book reads
Un missionaire du moyen âge raconte qui’l avait trouvé le point où le ciel et la Terre se touchent…
(“A missionary of the Middle Ages tells that he had found the point where the sky and the Earth touch…”)

Goeree moon
Copper plate etching by Jan Goeree of the lunar disk looming over a large telescope surrounded by a large crowd of curious onlookers.
Cherubin d orleans moon 2
Cherubin d orleans moon 1
The lunar maps bound in La Dioptrique Oculaire of Chérubin d’Orléans.
Both copper plates were engraved by Louis Coquin.

Tonight is the full moon, and I forced myself earlier to step away from my work,
to take a bath in the old clawfoot as the world through the windows blurred
into blue, scrub the day off, and stop. Stop all the clocks ticking, the phone
ringing, buzzing, beckoning, chiming. Step away from this tantalizingly handy
machine upon which I tap out these words, step away from the emails that make me
cringe, reminding me of deadlines, more deadlines. But tonight is the full moon,
and all that can wait, at least until I’ve finished writing this. One of my dearest and
longest loved friends moved back to town a while back, and brought with her a certain
purposefulness regarding honoring the seasons, equinoxes and solstices, the moon’s turnings
that somehow I’d allowed, in my solitary state, to fall by the wayside. She recently proposed
a full moon supper club – a rotating, relaxed potluck that serves as a way to honor the
fullness of la luna in whatever ways feel most natural. Coinciding with dinner, because –
hey – we all have to stop and eat dinner, right? I mean, most nights. Telling stories of our
enfant terrible adventures, drinking wine, and marveling at the patchwork potluck bounty,
I remember how simple it can be. Eating, drinking and talking with dear friends – is there
any better way spend an evening? I am shamed when I think of how rare it has become,
how many meals I have eaten with only a book for company, and how I do love that, but
sometimes, almost too much. A bad side effect of being so busy, of being involved in so
many projects, is that it makes me jealous of my solitude, too immersed in it, in my own mind.
William Blake painter and poet page 28a
William Blake – For Children: The Gates of Paradise, 1793
Sometimes, I find myself baring my teeth like a wild beast when the phone has rung for the
twentieth time in a morning, or at the prospect of an unexpected guest. Terrible of me to have
this reaction, to develop such a beastly aversion, but I am working on it. Working on stopping,
breathing, stepping away from the massive heap of work still left to be done, and go out into
the night – but not for any other reason than to sit still and peaceful with a small group of
sweethearts. What a joy it is, just to look into their eyes as they tell me stories, eat cake with
blackberries, laugh at my fairy godson doing circles on his tricycle ’round and ’round the table.
This, just this. The urge to simplify my life of late is becoming imperative, overwhelming.
Somehow, I’m going to find a way to streamline this unwieldy, creaky ship into something
that makes me breathe easier, gives me time to stretch my bones, and create something I
really love. I’ve been painting again, which feels good (when it’s not for a show, on a deadline!)
I miss writing letters, miss riding my bike, traveling, strolling, swimming – and it’s not exactly
that I don’t have time for those things right now, but I’ve got to stop saying yes to new projects
and tackle what’s on my plate already. And then? Read a book. Write. With a pen, on paper.
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Full Moon (etching), Flora McLachlan
Go walking in the woods, with moonlight as my only illumination, my black dogs at my side.
These are my full moon wishes, the gifts imparted by that shy white circle, gravid with light,
hiding her face behind the branches. Light the candles, sweep the floor. Open the book.
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Baron Münchausen: Voyage to the moon, by Doré
Cohen 2
Moon, (relief etching) Brian Cohen

Sakura Honey

by angeliska on May 16, 2011


✸ I love these vibrant illustrations by A. Alexeieff for Russian Fairy Tales, from 1945
This bit from Eudora makes me want to track down a copy of my own:
“These Russian tales are rambunctious, full-blooded and temperamental. They are tense with action,
magical and human, and move in a kind of cyclone of speed. These tales are gorgeous.”

– Eudora Welty

✸ Really enjoying Martine Johanna lately. Beautiful work.

✸ Lori Field’s Forest Stories
I also really love these encaustic paintings. Wonderful, dreamy colors.
“Lori Field’s paintings depict a world where animals and humans live together in enchanted forests
filled with two headed skeleton kittens, Tiger goose head cows, and baby ram angels.”


“Virvon, varvon/tuoreeks, terveeks, tulevaks vuodeks/sulle vitsa/ mulle palkka”
✸ I LOVE this holiday: Virvon, varvon…
“I will wish, whisk and whack/ you health and happiness/
for this new season/ for you the branch/ for me the prize.”
✸ The wonderful Slavic folktale styled graphic work of Tin Can Forest is making me very happy.
“The deep, dark forest of our collective unconscious has never seemed more beautiful and mysterious
than in the images of Tin Can Forest. The Toronto-based team of artists Pat Shewchuk and Marek Colek
spin tales where barter-happy demons and animal spirits, drawn from Slavic folklore, walk in step with
witches and villagers. We caught up with Tin Can Forest to ask them about their work and new book
‘Baba Yaga and the Wolf’ from Koyama Press.”
✸ The Vanquishing of the Witch Baba Yaga
“The Vanquishing of the Witch Baba Yaga examines man’s interaction with the mythic woodlands of Eastern Europe,
detailing the bloody history and complex psychologies that transformed the forest from a conceptually sinister space into
a realm of precious security. Mushroom hunting provides a passageway into the history of the region and helps reveal the
roles that woodlands play in the psychology and sociology of fear, imagination, and survival.
For generations of Slavic peoples, the dark, dense woods were construed as foreboding and menacing, ruled by the witch
Baba Yaga. In the minds of many, Baba Yaga was believed to be a very real entity – to roam within her reach meant almost
certain death. How then did the people of Eastern Europe – with their culturally ingrained fear of the forest and the witch within –
come to rely so heavily on Baba Yaga’s wilderness during times of need?
Baba Yaga was vanquished by necessity when refugees of war and social unrest fled to her woods for shelter, nourishment, and
sanctuary. Drawing on fairy tales, folklore, and personal recollections, The Vanquishing of the Witch Baba Yaga examines how
the collective, social memory of Eastern Europe both shaped and shapes local relationships with the forest.”

This looks really wonderful. Watch the promo video!
✸ Eastern Europe’s Evil Granny Rules Two New Novels, “Deathless” and “Baba Yaga Laid An Egg”
I’m reading both of these right now. So, so good!
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A candid shot from Devaki Knowles of me applying my lip-rouge at the most recent Vintage Vivant.
The next one’s theme is Storyville Bordello! Scandalous! Salacious! Shocking!
FLYERbordello
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Another treasure from Pink Tentacle – Anatomical illustrations from Edo-period Japan
This anatomical illustration is from the book Kanshin Biyō, by Bunken Kagami.
From the Home Collection of Evan Michelson, Antiques Dealer, New Jersey
From Joanna Ebenstein’s “Private Cabinets” Photo Series, Volume 1: Barrister’s Gallery, “Morbid Anatomy Cabinet” Exhibition
From the Home Collection of Evan Michelson, Antiques Dealer, New Jersey
From the Home Collection of Evan Michelson, Antiques Dealer, New Jersey
My pals Dark Dark Dark were just here in Austin, and made me fall in love with them all over again.
This is one of my favorite songs of theirs. I sing it all day long, and so will you, I hope.

Tell me what you celebrate
It isn’t hard to do…
Do you love me?
Do you love that paint?
Exposing the brick
They’re crumbling a bit
Do you love the bees
Fly over our heads
Race into the woods
Make honey so sweet
Do you love me
Do you love the breeze
When you stand on the deck
Of a boat on the sea
Or when it comes through
An open window
Of a high ceiling room
On the eleventh floor
Do you love stories
Of that stream you found
You followed the path
Ferns under your feet
The trees they parted
And you stumbled upon
The coolest stream
Your skin has known…
And tell me what you celebrate
It isn’t hard to do
Do you love me
A walk on the street
Oh lavender!
The scent fills the air
Oh remember
The hand sewn quilt
We laid on it there
We laid on it there…

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✸ As Above So Below
My friend Bruce Webb has an exhibition of some of his impressive
collection of fraternal order paraphernalia up at Domy Books this month.
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✸ My darling dearest Dana Sherwood has a new project called All My Dresses
“Archiving twenty years of collecting vintage dresses, some have been destroyed,
some have been “borrowed”, none have been intentionally discarded.”

Thvm ✸ Rag for Arielle de Pinto from mary-catharine anderson on Vimeo.

A beautiful video featuring my friend Miss Arielle de Pinto‘s gorgeous woven chain jewelry.
✸ Look at Me, I’m Crying
A beautiful piece on crying in public in New York City. I can relate, having found myself doing just that, far too often,
on my last excursion up there. Maybe it was the insidious combination of mercury retrograde and vicious sinus infection
that made me more susceptible than usual to uncontrollably weeping on streetcorners, park benches, Duane Reade,
the backs of various taxis. It was kind of ridiculous. I remember being sandwiched on a bench between a henna-haired
bag lady and a lanky teenage boy reading an old science fiction paperback. They just shared the space with me,
and let me cry – oblivious or unbothered, but it was oddly peaceable. The Nigerian cab driver was much more
disturbed, begging me to stop my weeping, and promising to somehow help me figure out how to get from Prospect
Park South to Williamsburg in fifteen minutes. Yeah, that didn’t end up working out, but he was very nice to me.
“If you live in New York, you’re bound to end up crying in public eventually; there just aren’t enough private places.
Just the other day I saw someone doing it on West 12th Street. A tall woman in a beret, with a curtain of reddish hair,
she had tears streaming down her cheeks. She wasn’t on the phone, wasn’t accompanied by a man, or a mom or even
a dog. She wasn’t beautiful, the way a lot of people in New York are, but I couldn’t look away.”


I love this beauty from Jeremy Enecio – thank you, Mlle. Wurzeltod!
✸ Her Voice in My Head I love, love, love
this piece by Emma Forrest about Kate Bush in the Paris Review. Go read it RIGHT NOW!

Caresse P-Orridge & Sickmob – “R. U. Experienced?”
✸ Two new scientific studies reveal hallucinogens are good for your mental health

✸ Ruslana Korshunova – The Lost Girl
Why did a supermodel at the top of her game—hauntingly beautiful and only 20—kill herself in 2008?
A filmmaker describes his three-year quest for clues, and answers.
✸ The Lost Boys
“In December 1970 two teenagers disappeared from the Heights neighborhood, in Houston.
Then another and another and another. As the number of missing kids grew, no one realized
that the most prolific serial killer the country had ever seen—along with his teenage accomplices—
was living comfortably among them. Or that the mystery of what happened to so many of his
victims would haunt the city to this day.”

✸ The exceptional mourning of twins
From Mind Hacks:
“I’ve just found an amazing article that looks at how the death of twins is mourned in cultures around the world.
The journal Twin Research and Human Genetics is usually dedicated to the science of twin studies –
a key method for understanding the role of genetics and the environment on the development of human traits.
In 2002 they had a special issue that took a very different look at the subject – examining grief and mourning related to twins.
One of the articles is a stunning look at the anthropology of twin death, exploring the diverse and intriguing beliefs and practices concerning twin death.”

Articles about three heroes of mine:
✸ The Official Justin Bond
✸ The Invisible Scent – Christopher Brosius

✸ Poly Styrene (3 July 1957 – 25 April 2011) from Coilhouse
✸ the greening life from Moonshine Junkyard
These same thoughts have been buzzing around my brain, but I didn’t have a word to hold them close – until now: viriditas!
“the light green heart of the living fullness of nature.”
Thanks for this, Tam.

Le cadavre exquis boira le vin nouveau!

by angeliska on May 5, 2011

I did an interview with William Bass of Uweekly Austin about Exquisite Corpse recently,
but I thought it might be good to post our full interview here, since I was able to go a lot more
in depth about what my vision for the night is all about, where it comes from, and what I’m hoping
to make happen with it. To accompany, are some of Devaki Knowles’ wonderful photos from the last party –
the full set can be seen here: Exquisite Corpse 2
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Drea + I
1.What is Exquisite Corpse all about?
Exquisite Corpse is a night for modern surrealists and old-school goths to dance, socialize and explore.
We take pleasure in creating an elegant temporary autonomous zone where ideas and flirtations can be exchanged.
The name refers to the Surrealist parlour game, (which we always play at the party) and is meant to evoke the gothic
style of dressing beautifully undead. It’s also a reference to a fascinating book by Mark Nelson and Sarah Hudson Bayliss,
which draws connections between the Surrealists and the famous Black Dahlia Murder. Film noir, ghastly crimes, bizarre art,
and a penchant for the macabre all lend themselves well to the theme.
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2. What inspired you to create this event?
When I lived in New Orleans, my friends and I decided to start a monthly Dada Ball called Cabaret Revoltaire.
We saw it as a continuation of the movements begun by our disgruntled European forbears – their movement also
came about as a response to the insanity and futility of war and industrialized culture. In post-9/11 America, we
watched with horror the knee-jerk patriotism that presaged the war in Iraq, and knew we needed an outlet for our
feelings of helplessness and frustration. Cabaret Revoltaire was an experimental surrealist extravaganza, a combination
of art opening and intentionally chaotic salon featuring visual and performance art, experimental music and installation,
pranks, invisible theater, inexplicable fashion, participatory painting, and interactive hijinks of all sorts. Inspired by the Dada,
Surrealist and Situationist movements, our goals were to revive and expand on the good work of the artists and writers that
came before us, to achieve consciousness expansion, to engage collaborative art, interactive (rather than passive) social
experiments, full-contact participation and the abolition of the “audience”.
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Dougie
3. What is your interest in surrealism, and what is its connection to this event?
I’ve long held a great respect and fondness for the work of the Surrealists and Symbolists.
These artists were delving deep into the human subconscious, and were determined to unearth
and express our strangest dreams, no matter how dark or nonsensical they might seem. They
understood that the most profound wisdom can come from these hidden places.
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Davey + Penny
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Teddy Baker & pal
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David + Iana
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Javi + Chia
4. What sort of experiences is Exquisite Corpse trying to engender?
Mainly, we just want people to come and have a lovely time. This event is sort of a low-key continuation
of those giant Dada parties we did back in NOLA, with a healthy helping of darkness and mystery thrown in.
I want people to feel free to participate, and be involved in creating the atmosphere. The concept is basically this:
imagine if David Lynch had a Goth night in the Black Lodge. Except that it’s at the Swan Dive, which is even more
magical, really. It’s such a special venue, and we’re so excited to be doing Exquisite Corpse there – I can’t really
imagine it working anywhere else. The music, and the whole gothic aspect was really thrown in as a mash-up,
because I’ve been wanting to do both nights for a long time, and it seemed like it might work to just toss them in together.
I’ve felt a real lack of the kind of goth/new-wave night like the kind I used to love going to back in the day. That scene kind
of died or faded away, but I feel like the time is ripe to bring it back, and play the kind of music we never really get to here
in clubs anymore. The focus is really on a specific pantheon and era of bands that created a sound that was dark, mysterious
and magical. It was before industrial music and EBM took over, with a much more aggressive, stompy, masculine vibe.
I do enjoy many aspects of that music, but there are also plenty of great nights where you can hear that stuff.
“Music for Witches” does indicate a more feminine leaning, an appreciation for mysticism, dramatics, and romance.
The music has a different tempo – it’s a slower, heavier beat. It’s sexy without being super aggro. It also creates a space
for new music that works beautifully with our theme, like witch-house and drag. Musicians like Karin Dreijer Andersson of
Fever Ray and The Knife, and the mysterious IAMAMIWHOAMI definitely have a place at Exquisite Corpse – they are
both doing really gorgeous and adventurous work. This isn’t a rigid retro night – it’s about creating a certain ambiance,
which might include a Nina Simone song played right after Einstürzende Neubauten. Our patron saint is Siouxsie Sioux –
(or I suppose she’s our queen, since she’s quite alive) a strong, unapologetic, punk sorceress.
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Lau of RECSPEC
As far as performers go, I’m really opening the floor to people who want an environment to express themselves –
especially when what they’ve got to share doesn’t really fit in anywhere else. This could be dance, sound installation,
art, writing, a game – but the key is that it must be interactive. There’s no announcer, no stage, no audience. It’s more
of a happening. I love the idea of a salon (not the getting your hair-did kind!), but as a place to exchange ideas, and
even to workshop your creative process. I love performance art when it just happens unexpectedly. Announcing it tends
to kill it. It’s always better when you just catch it happening out of the corner of your eye and wonder if you might be losing
your mind, or dreaming. This is definitely the kind of space where anything might happen. At the debut, recent Austin transplant
Sassy Delure dazzled us with a dance performance that involved her portraying three very different and very strange characters in quick succession. It was truly amazing. Laurel Barickman of RECSPEC does an incredible projection installation that totally creates the tone of the night, as well as providing some pretty bizarre and exciting eye candy. Images from films like “Night of the Hunter” and Japanese cult favorite “Hausu” seemed to sync up perfectly with the set from DJ Pasht who is a powerful witch and goth club turntable veteran. Devaki Knowles of Funloving Photos sets up her photobooth, so we always end up with lots of beautiful photos of our big-haired, eye-linered guests. People dress up extravagantly for this event, and definitely take a lot of delight in digging out and donning their widow’s weeds and pointy boots. It’s fun, and we aren’t taking ourselves (or anything much) too seriously. This isn’t the kind of party where you’re going to get looked up and down for what you’re wearing, and then nobody talks to each other. Thankfully, we live in Texas – where even the goths and art-snobs are super-friendly (and fairly goofy).
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Pandora + I
The best part of the last party? In the middle of the night, my very dearest darling Miss Pea
appeared, having just driven pedal to the metal all the way from New Orleans! So happymaking!
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Two of Colin’s oldest and dearest friends also came (in full regalia!), so all in all,
it was a night filled with beautiful reunions of beloved friends. So very wonderful.
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Some of the music we like to play, just to give you an idea:
Echo and the Bunnymen
The Glove
Gene Loves Jezebel
Love & Rockets
The Legendary Pink Dots
Bauhaus
The Creatures
Die Form
Nina Hagen
Siouxsie & The Banshees
The Cure
XMAL DEUTSCHLAND
Swans
Beach House
Bat for Lashes
The Birthday Party
Fever Ray
The Knife
Lydia Lunch
Nick Cave
Einsturzende Neubauten
COIL
Zola Jesus
L.A. Vampires
Joy Division
oOoOO
Gary Numan
Depeche Mode
Duran Duran
Tones On Tail
Indian Jewelry
Crones
Clan of Xymox
White Ring
Book of Love
Modern Witch
Strawberry Switchblade
//TENSE//
Matthew Dear
Foetus
New Order
Soft Cell
Salem
The Normal
Tuxedomoon
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What? Hilarious. Obviously, the night is full of hinjinks,
and no one takes themselves too seriously. We’re not
worried about cracking our white pancake makeup!

Eastertide

by angeliska on April 23, 2011

Eastertime is almost here! I can almost taste the candyfloss melting on my tongue, and those speckled
chocolate robin’s eggs. I’m busy getting everything ready for our annual Easter Egg Hunt and Garden
Party on Sunday, and remembering what a blast we had last year. It was an insane cavalcade of
pastel frocks, sugared-up children, and eggs: devilled, dyed, candy-stuffed and confetti-filled.
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Corinne + Francesca = best bunny girls ever.
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Miss Valerie, resplendent in purple and extravagantly top-hatted.
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Faith + I being sweet by the tinker trailer. She just had a little baby boy!
He’s too little for Easter egg hunts this year, I reckon – but next year, maybe!
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Chesley + Frannie lookin’ fine as can be.
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Miss Amelia, always pretty as a picture.
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Dawn wearing a gorgeous embroidered collar by Chromium Dumb Belle
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My fairy-godson Sascha attacks his first piñata! Kill the bunny!
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Adelle-Rose gets cascaroned!
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Wee widgets with parasols – Wolfie and her best friend Madeline.
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Watermelon is delicious!
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Isadora, Molly Karen and Elliott, trio of adorableness.
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My favorite sister Penny + Mattie – Penny made the most luscious lemon-drop cake ever!
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Flip and Wolfie made these beautiful art eggs – I picked the octopus and the deer to treasure always.
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Colin’s mama Becky made this wonderful lambie cake, which Canon won in the cake walk.
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He was so proud of it, he wanted to take it to school for show and tell!
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Katinka Pinka and her bitty sweet lemondrop of a nephew!
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Steve + Emily, looking dandy-fine in their Easter Sunday best.
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Two beautiful Sarahs – Sarah Marie + Sarahfina
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My grampa was there, in fine fettle. I wish he could be here this year.
The headphones and radio-looking-thing are actually his preferred choice
of hearing-aid. He likes it, and it works – but people always think he’s listening
to music. I had to learn the Serbian word for hearing-aid when I was there,
because everyone was curious about them. The word is: slušni aparat
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My dear papa played old tyme tunes on his banjo.
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Sienna serenaded us on the ukulele.
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This is what happens to Maddy when she eats a pile of sugar – she becomes a lightning-footed fairy!
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She ran circles around that sycamore for about half an hour, solid. Just a blur in a bright dress!
☆♥ More photos from last year can be found here:Easter 2010 set
☆♥ Miss Shanna also has some sweet ones: Easter Afternoon at Angeliska’s
☆♥ Easter in New Orleans
☆♥ Chemists Cauterize, Chill Cadbury Cremes from Neatorama
☆♥ Cadbury Egg inside chocolate cupcake
☆♥ Dressed Up For Easter – Vogue asked designers to re-imagine the Easter egg.
☆♥ Children scared shitless of the Easter Bunny thanks, Boing Boing!
And Easterness of yore:
☆♥ Magic Windows #11
☆♥ Sketchy Bunnies!
☆♥ Bunnytown
☆♥ Easter Egg Hunt!

Waves

by angeliska on April 14, 2011

Shichiri beach
O much neglected corner of the world – little quiet place where I come to lay down my findings,
hollowed-out tree trunk where I store treasure. I am embarrassed at how little I’ve been able to
find the time, the wherewithal, the peace of mind to write here. Too much has been happening
for one heart to hold, much less one little snippet of a post here. It’s been a strange and heavy time,
during which I’ve been struggling to keep up, keep my head above water, find a moment to breathe in.
In the swarm of activity following Mardi Gras and during SXSW, I returned to find my favorite person
in the world depleted and depressed – my 97 year old grandfather, Charlie, went into the hospital on
New Year’s Eve, and had been transferred to a glorified nursing home, where he withered like an
unwatered houseplant. I felt the horror and guilt of Beauty returning to the Beast’s castle to find him
fading fast, dying on the flagstones. I’d never seen my Grandpa laid so low, so unhappy and without
hope. A few days later, he started vomiting blood, and was rushed to the emergency room. I’ve never
been so terrified, so broken at the thought of losing him. It sounds absurd, I suppose – coming from me,
since I’ve lost so many dear ones already. I am used to death, in a way – and I do prepare myself for it,
perhaps more than is healthy. But not with him. How ridiculous to be totally in denial about the mortality
of someone so advanced in years, right? But I am, I have been – for a long time now, totally unwilling to
even consider the possibility of him not being here. Same with my dad, who recently went through chemo
and radiation for non-Hodgkin’s lymphoma. To have both of them so threatened at once? Beyond horrifying.
Every day, I stifled a silent scream at the thought of my Papa and Grandpa laid so low, of losing them.
Instead, I sucked in my fear and loathing of hospitals, and made my voice a bright thing, a shiny balloon
filled with hopefulness, rising towards the ceiling. I stood by my Grandpa’s bed for hours, holding his hands and giving him everything I had, praying desperately that he could recover strength to his suffering kidneys, to his legs, his lungs, his heart. Miraculously, all of our prayers were answered, and he did grow stronger, and became much happier, especially since we told him he never had to go back to that nursing home/rehabilitation center he’d been trying out. I’d lay awake at night, unable to sleep, consumed with worry, with fury, at the thought of him laying alone there. What a grave injustice that someone who has lived such a long and fascinating life should find themselves at the other end of it, in a place that affords them so little dignity. How awful, that there should be so few options for the elderly in this country – particularly since we’re living longer and longer lives. The sad thing is that the place he was in was actually one of the better ones around – he chose it after visiting the nursing home recommended by the hospital and finding it to be “a warehouse for storing people who are at the end of their lives
(his words). Nursing homes throughout America are chronically understaffed and underfunded, with food that I literally wouldn’t feed to my dogs. Seriously – mystery meat and baloney sandwiches? You can get better food in prison. In the midst of all this, poor Japan suffered her violent shiftings, and the whole world seemed on the verge of some great reckoning. My grandparents visited Japan in the 80’s, before my grandmother became too frail for travel. I remember seeing pictures of her dolled up in a kimono like a tiny, ancient geisha. They loved it there, and told me many stories about everything they saw and experienced. Grampa loved the Noh and Kabuki theater, and brought back masks for his collection. We had hoped to go back together, but he decided he wasn’t up for travel a few years back.
SoshuEnoshima
The entrance of a cave at Enoshima Island – Soshu Enoshima Iwaya-no dzu
ANDO HIROSHIGE – FAMOUS PLACES IN JAPAN
I still have never been there. One day, I shall. For the last few years, Grampa has given me big, beautiful editions of the collected prints of Hiroshige for my birthday. I’ve been paging through them lately, admiring the elegance of line depicting many formerly serene coastlines and villages I know are now destroyed. I’ve been thinking about the way the elderly are regarded in Japanese culture – as integral and important members of society, to be respected and honored – not shoved in old people jails and forgotten about the way we do here. Or maybe that’s been changing there too. I’ve been thinking about the tidal wave dreams I used to have, about not trying to outrun them anymore, but instead trying to face them head-on, standing with arms open: letting the waves of sorrow wash over me, letting them take what they will from me. This is hard, maybe the hardest thing I have ever done – trying to accept this inevitable loss. I can’t bear the thought of it. Can’t stomach hearing well-meaning friends telling me things that only make them feel better, like: “He’s had a long, full life…” or “Think of how lucky you are to have had that time together…” I don’t want to hear it. I want him to live forever. Is that so much to ask? When you love someone deeply, there’s never enough time.

The (very, very, very!) good news is that Charlie’s doing much better lately – we found a really wonderful assisted living facility that feels more like a home than a hospital, and he likes it there. His spirits are higher, and his overall health has improved. We have been watching movies together – most recently “The King of Masks”, an amazing film about an aged street performer who practices the change-mask opera art of bian lian. Grampa instilled a love of Chinese Opera in me early on, but I had never heard of or seen bian lian before. Between Charlie’s love of masks, and a plot about a grandfather and granddaughter’s profound love, I knew I absolutely had to find a way to share this movie with him. The first time I watched it, I found myself bawling like a child by the end. Luckily, I was able to keep it more or less together when we watched it recently. He loved it as much as I had hoped, and we have a date to watch Cocteau’s “La Passion de Jeanne D’Arc” together soon. Also on our list: “The Last Laugh”, “Casque D’or”, and “Amélie”.

(Please excuse the overwrought trailer with melodramatic voice-over.
I promise this film is worth seeing!)

Jacob de zoet e1282263072955
I just got The Thousand Autumns of Jacob de Zoet (finally!) and am devouring it. I ordered a large print copy for Grampa to read, as I think he’ll enjoy it too. I fortuitously discovered David Mitchell on our last journey abroad – I fell horribly ill in Athens, and was confined to bed for several days with a violent stomach bug.Luckily, the hotel gift shop had a reasonable selection of reading material. I hesitated over the hot pink and metallic blue fanfare of Cloud Atlas’ paperback cover, but it was just to curious to not investigate. I have a vivid memory of being weakly tucked into a pillow fort, and being exhausted, but not being able to stop reading. I turned to Grampa then, and told him, “This guy Mitchell is really, really, really good!” Oh my, isn’t he? I love everything he’s done so far, and I can’t wait for him to write dozens more books. Hurry, hurry! Oh, and – of course, the cover illustration features a print by none other than Ando Hiroshige. Perfect, that.

Gifts from my grandfather: One Hundred Famous Views of Edo and
The Sixty-nine Stations of the Kisokaido
Books and movies are definitely my drug of choice lately. Somebody else’s lives. Blessed escape.
I’ve been running on empty for awhile, and have been struggling to repair myself, stitch my soul
back together. Fortunately, I’ve found an amazing person who’s helping me with that: Elaine Dove. She’s a healer, counselor, artist, and teacher who has working with me, and even such in a relatively short amount of time, has helped me immensely. I feel lucky to have found someone I trust to do this work with me, and to help me process through this deep pain. It’s pretty incredible to have someone tell me that I can rest as much as I need to heal, and to be told that I don’t have to let my grandfather go before I’m ready to. Sometimes I really need to be given permission to give myself what I know I need. Elaine is using the Tara Approach, an energy medicine system with its roots in Jin Shin Jyutsu, a five element based meridian system of healing and balancing the nervous system. Here’s something Elaine wrote on the subject of loss that stuck with me:
“There’s so much we long for. Loss makes us vulnerable, brings to the surface that which isn’t finished, may never be finished. It may well be a fantasy that we get to finish everything we want to during the course of a short and precious human life. At least, it seems like a fantasy to me. As someone who is given the privilege of burrowing deeply into the lives of others like a little vole with good intentions, there’s always another tunnel that opens, another rock to dig up, another tree root to burrow around. It never ends until it ends. You don’t end up coming out where you went in. Then you’re not in the same place any more. But you remember where you started. It’s an integral part of being human, to remember.”

✸ Pinetop Perkins, Delta Boogie-Woogie Master, Dies at 97 – I had the pleasure of meeting Mr. Perkins,
on several occasions. He was performing up until almost the end of his life.
I remember the sparkle that shone through the gray
haze of his cataracted eyes, and his long, elegant hands.
He was the same age as my Grampa is now when he died.
✸ Hiroshige: A Fantastical Melding of Life, Land and Sea
✸ Mass Graves the Only Option for Many Japan Tsunami Victims
✸ On The Borderland in Okinawa – I’ve been reading Mlle. OTBL’s accounts of her adventures,
and came across this beautiful poem:
Be not defeated by the rain, nor let the wind prove your better.
Succumb not to the snows of winter. Nor be bested by the heat of summer.
Be strong in body. Unfettered by desire. Not enticed to anger. Cultivate a quiet joy.
Count yourself last in everything. Put others before you.
Watch well and listen closely. Hold the learned lessons dear.
A thatch-roof house, in a meadow, nestled in a pine grove’s shade.
A handful of rice, some miso, and a few vegetables to suffice for the day.
If, to the East, a child lies sick: Go forth and nurse him to health.
If, to the West, an old lady stands exhausted: Go forth, and relieve her of burden.
If, to the South, a man lies dying: Go forth with words of courage to dispel his fear.
If, to the North, an argument or fight ensues:
Go forth and beg them stop such a waste of effort and of spirit.
In times of drought, shed tears of sympathy.
In summers cold, walk in concern and empathy.
Stand aloof of the unknowing masses:
Better dismissed as useless than flattered as a “Great Man”.
This is my goal, the person I strive to become.

—Kenji Miyazawa (1896-1933), 雨ニモマケズ (Ame ni mo makezu), trans. by David Sulz
(The poem was found posthumously in a small black notebook in one of the poet’s trunks.)
My old friend Sxip Shirey and his band, Gentlemen & Assassins, wrote this song called “Grandpa Charlie”.
I’ve decided it’s about my very own Grampa Charlie, though I reckon he may have one too.
I love his introduction: “You know, this is a song about your grandfather, your grandfather,
your grandfather – when your grandfather was young, hot, and fucking sexy as shit.”


I know Grandpa would say, “Too loud!” – which is what he said when I took him to see
Gogol Bordello in Chicago. Eugene dedicated a song to him that night. It’s our job to dance now,
dance for them, our favorite old men – our grandfathers. I think I can handle that much.

Exquisite Corpse + Charm School Vintage

by angeliska on April 7, 2011

The other night, Miss Shari Gerstenberger of Charm School Vintage and I joined forces
to style an inspiration shoot for Exquisite Corpse, and to kick off a lookbook to guide
anyone seeking ideas on what to wear. As a young gothling (eee, back in the day!)
I had no access to expensive fetish-wear, and Hot Topic didn’t exist yet – everything
I wore had to be found secondhand, dyed, destroyed or re-purposed. Our intention
with this shoot was to show that you can find everything you need with a good vintage
resource, and some creativity! There’s no need to bother with cheaply-made, mass-produced
PVC wankery that has become the uniform for many, when you can put together a much more
original look with bits and pieces from days of yore. We used a few key staples from Shari’s
bounteous closet, to round things out – so this isn’t 100% vintage, but you get the idea!
The ever-marvelous Devaki Knowles took these gorgeous pictures – the full set can be viewed
at her Flickr
. Many thanks to our gorgeous models, Blakesley King, Erin Free-man, Kathlee
Cleveland, and Drea DiPrete for working it out in the alley, and on the dancefloor tonight!
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She falls into frame
with a professional pout
but the polaroids ignite
upon seeing their subject
and the aperture shuts –
too much exposure…

– Red Light, Siouxsie & the Banshees
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Drea:
Vintage Hola, Gaucho! hat
Vintage black mesh bodysuit
Hand-embellished black bustier with red ribbon via Lovecraft Vintage
Black AA disco shorts
Black patent leather Chloe booties
Single army surplus fingerless biker glove
Grandma Sheena’s antique slave bracelet
Charm School Vintage handmade buffalo tooth + vintage gold chain necklace
Trail of Tears
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Kathlee:
Bewitching black hat
Hand-dyed vintage red lace blouse
Fuck yeah F21 peplum skirt
Charm School Vintage handmade crystal, elk hide, and gold chain necklace
Model’s own tights and uh-mazing shoes
Lace on the face
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Erin:
1930’s black satin gown as turban
Scheherazade choker
Charm School Vintage handmade antler, elk hide, + gold chain necklace
Red vintage dress hemmed into Issey Miyake-inspired bustier
Starry Skies vintage skirt
Model’s own legs and shoes
Trail of Tears
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Blakesley:
Red Hat Society in-training vintage chapeau
Lonely crimson glove
Wild Wing Dove vintage dress
Dirty Librarian Chains Spider Bite necklace
Lace on the face
Model’s own tights + shoes
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On all models:
ass
attitude!
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Clothes + Accessories: Charm School Vintage
Styling: Shari + Angeliska
Makeup: Angeliska
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The gossips!
These songs kept running through my head while we were working on this,
and provided the soundtrack and musical inspiration for the shoot – Enjoy!

Red Light – Siouxsie & the Banshees

Photographic – Depeche Mode

Girls on Film – Duran Duran